hrbrmstr's Daily Drop

  • Drop #773 (2026-02-17): Typography Tuesday

    Today’s typography-focused drop features three highlights: M PLUS 1 Code, an open-source programming font from Japan known for its monospaced Latin and CJK support; FontPlop, apps for converting TTF/OTF fonts to web formats; and Font Gauntlet, a browser tool for proofing and animating variable fonts with local caching.

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  • Drop #770 (2026-02-10): Typography Tuesday

    Today’s Drop introduces FontBo, a browser-based font editor designed by Carl’s Type, providing a user-friendly alternative to complex professional tools. It offers a free tier with full features, and a paid Pro tier for additional privacy and support. The featured font, Geomini, is a compact geometric typeface optimized for UI design, showcasing clean lines and…

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  • Drop #766 (2026-02-03): Typography Tuesday

    Today’s Drop features the 2025 Web Almanac’s font section which reveals that 88% of websites use web fonts, with self-hosting at 72% being the leading delivery method. Additionally, fontdata.com offers a practical tool for checking font name availability, while the featured POI Aeronaut font provides unique stylistic alternates.

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  • Drop #763 (2026-01-27): Typography Tuesday

    Today’s typography-centric edition of the Drop introduces Atlas of Type, a curated directory of over 12,000 typefaces from independent foundries. It also showcases Beyond Bézier, a research project exploring alternative type design methodologies; and the featured font Neue DIN, highlighting the innovative “retalic” style.

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  • Drop #758 (2026-01-15): Typography T̶u̶e̶s̶Thursday

    The late-on-so-many-levels post covers Emily Sneddon’s essay on the Fran Sans typeface, which chronicles its origins from SFMTA’s destination displays; Oliver Schöndorfer’s talk on how typography affects usability in conversion rate optimization; and a feature on the Ductile Display font by Titus Homei.

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  • Drop #754 (2026-01-06): Typography Tuesday

    The first Typography Tuesday Drop of 2026 covers two presentations. The first is from the 39th Chaos Communication Congress and explores the complexities of real-time text rendering while the second introduces a font that features built-in TeX syntax highlighting. Additionally, Google Sans Flex, a versatile open-license font, is highlighted for its adjustable design attributes.

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  • Drop #748 (2025-12-30): Typography Tuesday

    The final Typography Tuesday edition of the Drop for 2025 discusses the political implications of font choices, particularly the U.S. State Department’s switch from Calibri to Times New Roman, highlighting biases related to DEIA policies. It also emphasizes typography’s impact on public safety and introduces Fantasque Sans Mono, a visually playful yet functional programming font,…

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  • Drop #745 (2025-12-23): Typography Tuesday

    Today’s Drop covers the RFSL’s “Human Writes” font designed to evade Meta’s ad ban, allowing messages deemed political to be visually obscured. It also covers David Jones “pay-what-you-want” bundle of fourteen fonts, “Advent of Type 2025.” And, shows how to “hack” Adobe to use their fonts without breaking the bank.

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  • Drop #740 (2025-12-02): Typography Tuesday

    Today’s edition of the Drop focuses on typography, nostalgia, and tools of the past. It features John D. Berry’s essays that celebrate the history of typography, Letraset’s origins as a tactile tool, and introduces Glina Script, a versatile handwritten typeface.

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  • Drop #737 (2025-11-25): Typography Tuesday

    Today’s typography-centric edition of the Drop discusses the intersection of typography and AI, featuring the Gregory Grotesk typeface, characterized by its versatility and clarity. It also highlights Monotype’s Human Types project, exploring designers’ collaborations with AI. Additionally, the ~new CSS line-height unit enhances web typography, resolving spacing issues for cleaner layouts, emphasizing simplicity and effectiveness.

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